La Trobe Garden Project

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Implementing more plant life around the La Trobe University, Bundoora campus, will have many positive effects on the environment, the community and individuals.

To kick start this project, we could organise a specific day for a working bee. By advertising around the University, we could hopefully draw some interest from students of all different study areas.

A stall could be set up on the day, displaying a great range of different plant, flower, fruit, vegetable and tree seeds that students have the opportunity of planting, growing, nurturing and enjoying.

This event will work as an ongoing project, where students will revisit their work and maintain the plant life. If need be, more working bees can be organised in the future.

We could involve students from different study areas that may be able to contribute to this event academically. For example, we could have nutrition students tell others what purposes a certain vegetable or fruit has to help them decide on what they would like to grow. By doing this, we can all become more aware and educated about healthy living and eating.

The foods and plants that are grown on campus can be beneficial across many university faculties. For example, it could be used in botany, nutrition, biology, environmental studies, cooking classes, and many more. These faculties that are particularly involved with foods, plants and the environment would be encouraged to get involved in this project, as it could be a project to help further develop their field.

If it seems to be that we are growing more then what is needed, we can set up a stall at the La Trobe weekly markets, that way we can open up our fresh produce to the locals. This will also help raise money for the project to keep on funding itself.

If proven successful at the Bundoora campus, we could also implement this into other La Trobe campuses.

Dear Sticky Fingers

Sticky-Fingers1

Dear Sticky Fingers,

Tonight i’ll live a sorted dream in “Clouds & Cream”,
and Heyyy baby,
love my way, all

cause he’s the one who taught me,
“How to Fly”

“These Girls” are thinkin’ bout you, babe,
as you
“Kiss the Breeze” to let your rhythm flow

So please,
lets hear “Eddy’s Song”,
here is a note,
here we go again,
and I’ll sing it for you

Lets find our “Happy Endings”,
you can go with this,
or you can go with that,
as long as its a sensation

So meet me on “Australia Street”,
and we’ll jump around to the sound of the music

There’ll be no otherwise,
and no more other guys,

“Caress Your Soul”!

Love from,
Adriana

Inspired by “Sticky Fingers” upcoming concert next weekend, this is a letter from me to the band using only their song lyrics and titles. Text that is italicized is direct lyrics, and mostly has been arranged to correspond to the words in quotations, which are the song titles.

Similar to Fluxus, I have taken original work and placed it in a different context, giving the material a completely different meaning. Originally, these lyrics may have been intending something different, but I have taken them and made them into a letter about appreciation of “Sticky Fingers” music and the excitement for their concert. For example, lyrics: “cause he’s the one who taught me, how to fly”, is most likely, in the context of the song, a reference to drugs. However, in the context of this letter, it’s meaning is of what their songs are to me.

A common goal of the Fluxus artist was to destroy the boundary between art and life, which is what I have intended to do in this piece. I have taken song lyrics, which are not a traditional form of art, and manipulated them into a letter/poem, giving them a completely different purpose.

John Cage held a certain belief that the process of creating a piece was more important then the finished result, which is how I feel about this letter. The process of collecting and arranging lyrics and song titles into what I wanted them to mean is more important then the finished product.

References

http://www.theartstory.org/movement-fluxus.htm

Click to access john-cage-lecture-on-nothing.pdf

Sticky Fingers songs:
Clouds & Cream
How to Fly
These Girls
Kiss the Breeze
Eddy’s Song
Happy Endings
Australia Street
Caress Your Soul

Monet’s Garden Exhibition

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‘Monet’s Garden’ in Melbourne was an exhibition that showcased the impressionist artwork of Claude Monet, one of the greatest artists of his time. The exhibition was largely devoted to artwork of Monet’s iconic garden in Giverny, Northern France, where he became obsessed with painting the immediate experience of nature.

Monet lived through a time of industrial change, and it became quite clear to me that Monet wasn’t afraid to capture the realities of idustrialised France, such as the effects of smoke on the Paris skyline. Refusing to conform to the traditional style of art, his artwork that was showcased in an 1874 exhibition was laughed at and insulted. I consider this to be much like the work of Alfred Jarry, writer of Ubu Roi, which seemed to be an event that shocked audiences. Both Jarry and Monet rejected the norms for their time, which was seen by most to be extremely controversial and disfavoured, but turned out to inspire other artists and lead the way to a new era of art.
Monet, Impression Sunrise 1872Claude_Monet_004London, The Houses of Parliament. Sunshine Through the Fog, 1900-4OLYMPUS DIGITAL CAMERA

In the 1850s, Japanese prints where starting to sell in France, becoming very popular, and an inspiration for Monet’s paintings, most obviously seen in his 1903 ‘Water-lilies’.Monet_Water-Lilies_1903_DAIMonet-blog-water-lilies-Japanese-bridgewater-lilies-1899Water%20Lilies%20by%20Claude%20Monet

Upon walking through the exhibition, we can see a shift in the style and tone of Monet’s paintings towards the later years of his life. This may be largely due to his deteriorating eyesight, however, after two eye operations in 1923, his eyesight slowly improved. The Weeping Willow, 1921-22, was painted when Monet could scarcely see. In earlier versions of the Weeping Willow, Monet would use his usual soft, brightly coloured paints. In the later version, it can be noted that the colour choices were much darker and heavier in tone.
Monet early painting of 'Weeping Willow''The Weeping Willow' 1921-22

References:

Click to access NGVIMonetsGarden_ArtworkLabels.pdf

http://www.ngv.vic.gov.au/whats-on/exhibitions/exhibitions/monets-garden
http://en.wikipedia.org/wiki/Ubu_Roi
Artists in Their World: Claude Monet (2002), Hodge, Susie. page 6, 20, 24, 36-39, 40-41
Monet at Giverny (2006), Sagner, Karin. page 96-97
Melbourne Winter Masterpieces, Monet’s Garden, The Musée Marmottan Monet, Paris. 10 May 2013 – 08 Sep 2013